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Creative Writing Trends in 2020-2021

Alba Fores by Alba Fores
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Blank paper waiting for idea with mans  hand and  pen

Blank paper waiting for idea with mans hand and pen

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If you expect to read one more article telling you to use less passive voice, and more creative lines, then click another link. Here we will talk about what really matters — creative trends in literature, 2020-2021. Why literature? Because it is fundamental for everything — college essays, blog writing, even serial movies. Trends emerge from big literature and later they become adapted, popularized. If you truly want to catch the wave, add something real to your writing — be our guest. We bet that you will find enough popular names, literature trends, scandals and ideas to fit in your next creative essay right away. 

Contents hide
1 Globalization: “World Trends” Mean “Anglo Saxon” Trends
2 What Women Have to Say
3 It Matters How Good YOU Are
4 Creative Writing Gets More Complex
5 … And Touches Less Cliche Relationships

Globalization: “World Trends” Mean “Anglo Saxon” Trends

We say “world literature”, we mean “Anglo-Saxon”. Every year national literature is becoming more and more obscure for international readers, and we have less and less ideas of  what is happening among Poles, Germans or Chinese. In fact, the Nobel Prize is becoming the main way to look behind this veil, and even that one has recently forgotten about the need to open the Syrian adonis or Hungarian red-horse horses for the reader. It is clear why this is happening: the world of the Anglo-Australo-Canadian-American novel is not only open to almost everyone who studied English at school, but also we measure it up and down. We have bestseller lists, newspaper ratings, awards, many tools for building hierarchies, coordinated work of many institutions. 

This coherence cannot be compared with the situation in Russia, for example, where hierarchies are not at all so obvious, even the laureates of the largest awards (and these awards themselves) can be spat upon by readers and critics. Unlike us, the “world” has a pretty good idea of  its heroes: between the top sellers in Amazon, the New York Times bestsellers, and the Books section of the Guardian, it’s quite possible to imagine the world reading and writing.

But readers are not alone in imagining English-language literature as the entire literary world. Writers are also fully aware that they have become victims of globalization. That now they, English-speaking, have to take the rap for everyone. We see less and less, for example, novels about England. In fact, the main and best example this year is Ali Smith’s Autumn, where the romance between a 30-year-old heroine and a 100-year-old hero becomes a metaphor for describing the end of the English century, and yes, the sorrows of Brexit.

What Women Have to Say

We don’t know when it started, but we are glad it did. Here, we don’t want to talk only about the female writers taking the scene. There are much more female writers now than ever in history, and finally it seems like they are taken much more seriously by various literature awards committees. Female perspective is valuable, and we all should be grateful for these changes. However, it is not only a perspective of a female writer we are talking about, but also a perspective of a female heroine. Again, it both works for big literature and essay writing. Suddenly, the world became much more interested in what women have to say as main heroines, even when they are not talking about men. Suddenly, women not fitting beauty pageant standards, evil women, sick women, cruel women, become the leading ladies, not antagonists of the plot, and find lots of sympathisers on the market. 

It Matters How Good YOU Are

The idea that a writer and a literary figure in general should also be, if not a good person, then at least actively involved in the modern agenda, in this decade is slowly beginning to replace the old fundamental principles of literature. The Nobel Prize guarantee to Peter Handke was, among other things, the reason that two of its members left the newly formed committee for the correct presentation of the Nobel Prize just a few days ago. According to rumors, they do not agree that the prize is still awarded strictly for merit in the field of literature, and would prefer that it also be given to good people, which does not include Peter Handke, who supported Milosevic. It seems like now it is not enough to be a good writer to receive recognition, you need to be a good person. While you may think that it works only for the world of big literature, this works for creative and business writing of any level. 

Creative Writing Gets More Complex

Previous decade, let’s say 2009-2019 were more about simplification. Academic writing lost its interests in passive voice and heavy structures, students were told to write lighter and more creative, whatever it means. As trends in big literature change towards more complexity, academic writing follows. Fortunately, old trends don’t come back, but you have to be more focused on complex problems and bring more in-depth analysis even to the simplest essay assignments. If you are not up to this challenge right now, the wisest way out is to address a reliable academic writing company, such as SmartWritingService.com, and order a paper or two. Firstly, you will reduce the stress, second, you will have an example of trendy creative writing you can use for some time from now on. Sounds like a good deal for students struggling with college assignments.

… And Touches Less Cliche Relationships

Friendship as a special type of very close – and sometimes the only close – relationship becomes the subject of the writer’s interest. The decade in this regard actually began with “Goldfinch”, and ended with “Conversations with Friends” of the new Irish sensation Sally Rooney, who literally burst into literature with the story that friendship can not only have an effect on a person equal in strength to love, but and sometimes remains the only relational constant in his life. The old and long-run Dickens story about how the hero, who was left alone in the whole wide world, suddenly finds not a blood family, but much closer to him, gets a new life in an era when the traditional model family finally ceases to be the only form of organization of close relationships.

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